Tracing
working with speculative ethnography and other-material relations in different places, spaces and landscapes.
Tracing is a practice based project that deals with ethnographic research methods as artistic openings, as well as the construction of place and landscape through sensorial and fictional. In this practice, I develop and play with methods drawing from ethnograpic research and my background in anthropology.
On ethnography as an artistic tool
Intuitively, I see art making and ethnography or anthropology similar in their way of articulating and attending to creation of meaning in multiple levels of social realities. In the practice of Tracing, I craft these similarities in two ways.
First, I look at performances as already excisting potentialities that can be crafed visible through speculative ethnographic research. Second, I develop excersises/performative proposals such as somatic thick description, visual descriptive documentation, other-material interviews, or fictional embodied autoethnography, that all draw from ethnographic research methods, ethics and models. For me, the practice of Tracing is wild and playful while rooted in a borrowed framework of ethnography.
Currently, my work with this practice focuses on other-material relations, with especially other-than-living, mineral and geological.
In 2024, Tracing is supported by the Finnish Cultural Foundation.
Documentations from Tracing at SÍM Residency, Iceland, October 2024
during which my research on the mountain Esja resulted in an installed collection of scores, a solo performance and a sketch of a booklet.